THE GLIMMERGLASS FESTIVAL ANNOUNCES 2012 SEASON
Festival Artists to Include Nader Abbassi, Dwayne Croft, John DeMain, Marcia Milgrom Dodge, Elizabeth Futral, Michelle Johnson, Bibhu Mohapatra, Eric Owens, Sean Panikkar, Marshall Pynkoski, Tazewell Thompson
Eric Owens to be 2012 Festival Artist in Residence
COOPERSTOWN, N.Y. (June 14, 2011) – The Glimmerglass Festival, the Central New York opera and musical theater summer festival, has announced its 2012 season.
The 2012 Festival mainstage productions include Verdi’s Aida, Willson’s The Music Man, Lully’s Armide and Kurt Weill and Maxwell Anderson’s Lost in the Stars. The productions will run in rotation July 7 through August 25 in the Alice Busch Opera Theater in Cooperstown, New York. The mainstage productions will be supplemented by special performances, concerts and lectures throughout the season.
American bass-baritone Eric Owens, who has performed to critical acclaim at Metropolitan, San Francisco and Washington National operas, joins the company as the 2012 Artist in Residence.
“Opera and theater often transport us to a different world and another time, and it is important to me that the 2012 season stretch our boundaries,” said Francesca Zambello, Glimmerglass Festival Artistic & General Director. “Each of our shows will offer not only the Glimmerglass standard of excellence and discovery, but an engaging range of stimulating ideas and new collaborators as well. In 2012, Glimmerglass will co-produce with two international companies in productions of operas that address key social and political issues and demonstrate how the performing arts can inform and enlighten, as well as entertain.”
AIDA (Giuseppe Verdi/Antonio Ghislanzoni, 1871)
Aida will open and close the season in a new production that emphasizes the personal drama at the heart of Verdi’s masterpiece. This will be the first production of Aida presented at Glimmerglass.
“Aida is often thought of as a grand opera, a spectacle with elephants and pyramids,” Zambello said. “I have always wanted to present Aida in an intimate setting where we can focus on the tensions of politics between Egypt and Ethiopia through the prism of the love triangle.”
2011 Metropolitan Opera National Council Auditions Winner Michelle Johnson will sing the title role of the captive princess. Eric Owens will perform the role of Amonasro in his role debut.
“This role is something I have been wanting to do for a long time,” Owens said. “Over the last five or six years my voice has settled higher and I want to do more crossover into certain baritone repertoire.”
Daveda Karanas will sing the role of Amneris. Karanas can be seen in the Ring Cycle at San Francisco Opera as 2nd Norn in the new production of Götterdämmerung and Waltraute in Die Walküre. Award-winning fashion designer Bibhu Mohapatra will design costumes for the production directed by Francesca Zambello. Nader Abbassi, Artistic Director and Principal Conductor of the Cairo Opera Orchestra, will conduct the piece in his company debut.
“Since I was a child, Aida has been my favorite opera, and it was always my dream to conduct this piece,” Abbassi said. “I have had the honor to conduct Aida in more than six countries at important festivals – in Asia, Russia, China, Europe and in Africa by the pyramids where I belong. Now I feel the excitement and challenge of being an Egyptian conducting this great opera at Glimmerglass. I am thrilled, but overall I am proud.”
Robert Wierzel will design lighting. Wierzel has designed more than 35 productions for Glimmerglass and designs this summer’s productions of Carmen and Medea.
This production of Aida is sponsored by Elizabeth M. and Jean-Marie R. Eveillard.
THE MUSIC MAN (Meredith Willson, 1957)
Cooperstown native Dwayne Croft will return to Glimmerglass for the role of Harold Hill in The Music Man, which follows the 2011 production of Annie Get Your Gun in the company’s series of American musicals performed with full orchestra and no amplification. Croft, who has sung more than 25 roles with the Metropolitan Opera, remembers early years at Glimmerglass, where he began as a supernumerary and chorus member while a student at Cooperstown Central School and went on to sing many roles with the company.
“Returning home to Glimmerglass after 22 years fills me with happiness and nostalgia,” Croft said. “It's where the opera seed was planted in me in 1975, and grew over my 15 years with the company. Having the opportunity to perform the iconic role of Harold Hill in The Music Man is a dream come true that I look forward to bringing to life.”
In this Tony Award-winning musical, an itinerant con man falls for the local librarian, Marian Paroo, which will be sung by Elizabeth Futral. Futral created the roles of Stella in André Previn’s A Streetcar Named Desire and Laura Jesson in Previn’s Brief Encounter. Her extensive discography includes works by Previn, Carlisle Floyd and Ricky Ian Gordon. John DeMain conducted Glimmerglass’s 2002 production of Little Women and will return to conduct The Music Man. DeMain is well-known for his work on new American works such as Leonard Bernstein’s A Quiet Place and John Adams’s Nixon in China. Recent engagements include guest appearances with Los Angeles Opera for Porgy and Bess, A Little Night Music and The Merry Widow. Marcia Milgrom Dodge, whose Broadway production of Ragtime won several Tony Awards, joins Glimmerglass to direct and choreograph the musical.
“I am delighted to make my Glimmerglass debut directing and choreographing the classic American musical The Music Man,” Dodge said. “Meredith Willson’s irresistible score celebrates a lively spirit and immense pride in community—qualities associated with Glimmerglass’s mission.”
Costumes will be designed by Leon Wiebers, who has designed productions for English National Opera, Théâtre du Châtelet, San Francisco Opera and more. James Noone will design sets. Noone has designed more than a dozen productions on Broadway, including Hot Feet, Urban Cowboy and Come Back, Little Sheba. Lighting design will be by Kevin Adams, who designed the recent Broadway revival of Hair, as well as Everyday Rapture, Next to Normal and American Idiot, for which he won a 2010 Tony Award. The production will run July 14 through August 24.
ARMIDE (Jean-Baptiste Lully/Philippe Quinault, 1686)
Glimmerglass has built a reputation for presenting new and innovative productions of early operas, beginning with Monteverdi’s L’incoronazione di Poppea in 1994. Since then, the company has presented more than a dozen productions of operas from the 17th and early 18th century, including Monteverdi’s three surviving works and a number of works by Handel, most recently the U.S. professionally-staged premiere of Tolomeo. In 2012, the company will join with Toronto’s Opera Atelier, renowned for lavish productions with period ballet, for Lully’s Armide, Glimmerglass’s first French baroque opera.
“Today’s battles in society for religious rights echo Lully's Armide and the 11th-century conflicts between the Muslims and Christians,” Zambello said. “We will collaborate with Opera Atelier of Canada to present this stimulating work as we explore these themes in a baroque setting.”
Muslim and Christian worlds collide in this opera, where warrior princess Armide is caught between love and vengeance for her sworn enemy, Renaud. The title role will be sung by Peggy Kriha Dye, who recently made her debut with The Chamber Music Society of Lincoln Center and has performed with Washington National Opera and San Francisco Opera. Colin Ainsworth, who performed the role of Jean in Glimmerglass’s production of Le portrait de Manon in 2005, will sing the role of Renaud. Opera Atelier Music Director David Fallis will conduct. Canadian dancer Jeannette Lajeunesse Zingg will choreograph. Marshall Pynkoski, who serves as Co-Artistic Director of Opera Atelier with Zingg, will direct Armide. Pynkoski joins the company this summer for ShowTalk, the company’s series of season-related lectures, on August 13 with a special French baroque program. The creative team also includes set designer Gerard Gauci, costume designer Dora Rust D’Eye and lighting designer Bonnie Beecher. Armide will run July 21 through August 23.
LOST IN THE STARS (Kurt Weill/Maxwell Anderson, 1949)
Glimmerglass’s first production of a Kurt Weill work, Lost in the Stars will be presented in a co-production with Cape Town Opera. The piece is based on Cry, the Beloved Country, the classic novel by Alan Paton, and presents the story of South African priest Stephen Kumalo’s spiritual crisis during the time of social unrest that led to apartheid. Eric Owens will sing the role of Stephen Kumalo.
“This is a wonderful gem often overlooked,” Owens said. “Although South Africa is no longer in a period of apartheid, it is still important to honor and understand where the evolution and revolution have come from.”
The production will premiere at Cape Town Opera November 24 through 27, 2011 before traveling to Cooperstown for its run July 22 through August 25, 2012. South African members of the original Cape Town Opera cast will join Glimmerglass in 2012 for the production.
“In Lost in the Stars we are catapulted back into a world dominated by apartheid in South Africa – has it changed now?” Zambello asked. “We are fortunate to work with the Cape Town Opera and the South African singers that will join us, who have a deep personal and historical connection with the material. They will join with our great American bass-baritone Eric Owens to explore issues of race – then and now.”
American tenor Sean Panikkar, recently seen as Narraboth in Salome at Washington National Opera, will sing the role of The Leader. Lighting will be designed by Robert Wierzel. Sets and costumes will be designed by Michael Mitchell, Cape Town Opera resident stage designer whose work has been showcased at Royal Festival Hall, Edinburgh Festival and more. John DeMain will conduct, and Tazewell Thompson will direct. Thompson directed Glimmerglass’s acclaimed productions of Dialogues of the Carmelites and Death in Venice. He most recently directed the company’s 2010 production of The Tender Land.
“Though it is a story of the ages wrestling with issues of biblical dimensions, Lost in the Stars is a simple story of the human heart – one of heartbreak and intolerance as well as truth, reconciliation, compassion and, finally, moral transformation,” Thompson said. “It resonates as relevant, vital and revelatory as though snatched from today’s headlines around the world.”
Lost in the Stars is made possible, in part, by a major grant from the Andrew W. Mellon Foundation.
ARTIST IN RESIDENCE
In addition to his roles in Aida and Lost in the Stars, Festival Artist in Residence Eric Owens will perform special solo performances throughout the summer and work closely with members of the Young Artists Program, the company’s apprentice program for young singers. Owens first performed at Glimmerglass in 2001 as Collatinus in The Rape of Lucretia.
“I have very fond memories of being at Glimmerglass when I was wide-eyed and the yellow brick road was ahead of me,” Owens said. “It will be a special opportunity to return and interact with the Young Artists. It is unique to be able to put into words what you are doing as a performer; this helps you learn more about your own artistry. Sometimes I feel like I learn more than the students!”
The 2012 Festival will run July 7 through August 25. Subscriptions go on sale July 2, 2011. For more information on the 2012 Glimmerglass Festival and performance dates and times, call the Box Office at (607) 547-2255.
Aida: July 7, 13, 15, 23, 27, August 4, 9, 11, 14, 17, 25
The Music Man: July 14, 20, 24, 26, 28, 30, August 2, 4, 6, 12, 19, 21, 24
Armide: July 21, 29, 31, August 5, 10, 13, 18, 23
Lost in the Stars: July 22, 28, August 3, 7, 11, 16, 18, 20, 25
The Glimmerglass Festival is a professional, non-profit organization that offers approximately 40 performances of four productions that run in rotation during July and August. The first season under new Artistic & General Director Francesca Zambello, the 2011 Festival features new productions of Bizet’s Carmen, Cherubini’s Medea, Berlin’s Annie Get Your Gun and a double bill of two new operas highlighting American artists. The double bill features the world-premiere of A Blizzard On Marblehead Neck, a Glimmerglass-commissioned work about an episode in playwright Eugene O’Neill’s life by composer Jeanine Tesori and playwright Tony Kushner, and the professional premiere of John Musto and Mark Campbell’s acclaimed Later the Same Evening based on five Edward Hopper paintings. The four productions run in rotation in the Alice Busch Opera Theater, July 2 through August 23, 2011. Tickets start at $26 and range to $126. For additional information, call (607) 547-2255 or visit www.glimmerglass.org.