A Bird’s Eye View

This season the Glimmerglass audience will be greeted by an unusual guest as they make their way to the Alice Busch Opera Theater. A 15-foot-tall, 25-foot-long and 16-foot-wide bird made of rebar, cold pressed steel and wire stands tall at … Continue reading

Rachael’s Reflections: La bohème Rehearsal

Rachael Powles is an incoming junior at Sauquoit Valley High School, where she is co-editor of her school newspaper as well as an active member of the drama club. This is her first production with The Glimmerglass Festival. When I … Continue reading

The Crucible: Time Travel

It’s impossible to put on an operatic version of The Crucible and not directly compare it to Arthur Miller’s timeless play. Directing this opera for the first time raises many questions for me. I love everything Arthur Miller ever wrote … Continue reading

The LOUNGE kicks off with BLACKLIST on Saturday, June 11

The Glimmerglass “Lounge” series offers a variety of informal, intimate performances throughout the season, ranging from late-night cabarets to curated combinations of art song and readings. Arthur Miller was inspired to write The Crucible as he and many other artists came under … Continue reading

Spotless Sets

As we build our scenery for this season’s performances of Sweeney Todd, special accommodations must be made for the amount of prop blood being used during the show. For easy cleanup, the set designer Andrew Holland has decided that laminate be applied to … Continue reading

Blood and Bubbles

Sweeney Todd is known for its award-winning score by Stephen Sondheim as well as its dark – and gruesome – themes. When Benjamin Barker is cruelly banished from London by the corrupt Judge Turpin, he returns as “Sweeney Todd,” and takes … Continue reading